All Maratta, Carlo Oil Paintings
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Maratta, Carlo Portrait of Andrea Sacchi oil painting


Portrait of Andrea Sacchi
Painting ID::  19277 		Artist: Maratta, Carlo
Painting: Portrait of Andrea Sacchi
Introduction: 1650-55 Oil on canvas Museo del Prado, Madrid.
   
   
     

 

 

 
 

 

 

 
Maratta, Carlo A Young Man oil painting


A Young Man
Painting ID::  19278 		Artist: Maratta, Carlo
Painting: A Young Man
Introduction: 1663 Oil on canvas Gemäldegalerie, Berlin.
   
   
     

 

 

 
 

 

 

 
Maratta, Carlo Portrait of Pope Clement IX oil painting


Portrait of Pope Clement IX
Painting ID::  19279 		Artist: Maratta, Carlo
Painting: Portrait of Pope Clement IX
Introduction: 1669 Oil on canvas Vatican Gallery, Rome.
   
   
     

 

 

 
 

 

 

 
Maratta, Carlo Madonna and Child Enthroned with Angels and Saints oil painting


Madonna and Child Enthroned with Angels and Saints
Painting ID::  19280 		Artist: Maratta, Carlo
Painting: Madonna and Child Enthroned with Angels and Saints
Introduction: 1680-90 Oil on canvas Saint Maria in Vallicella, Rome
   
   
     

 

 

 
 

 

 

 
Maratta, Carlo The Assumption and the Doctors of the Church oil painting


The Assumption and the Doctors of the Church
Painting ID::  19281 		Artist: Maratta, Carlo
Painting: The Assumption and the Doctors of the Church
Introduction: 1689 Oil on canvas Saint Maria del Popolo, Rome.
   
   
     

 

 

 
 

 

 

 
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     Check All Maratta, Carlo's Paintings Here!
     Italian Baroque Era Painter, 1625-1713 was an Italian painter of the High Baroque period, active mostly in Rome. Born in Camerano, then part of the Papal States. He came as a boy of 12 to apprentice in the studio of Andrea Sacchi. Like Sacchi, his paintings have a classicizing tone, inspired by the works of the great painters from Parma and Bologna: Carracci, Guercino, and Lanfranco. He developed a close relationship with Sacchi till the death of his master in 1661. He worked alongside Francesco Cozza, and Domenico Maria Canuti in the decoration of the Palazzo Altieri. His first prominent work is an Adoration of the Shepherds for San Giuseppe die Falegnami in 1650. He came to establish one of the most prominent art studios in Rome of his time. Other major works are the The Mystery of the Trinity Revealed to St. Augustine (c. 1655) painted for the church of Santa Maria dei Sette Dolori, The Appearance of the Virgin to St. Philip Neri (c. 1675) now in the Pitti Palace of Florence, The Virgin with Saints Carlo Borromeo and Ignatius of Loyola and Angels (c. 1685) for the church of Santa Maria in Vallicella, and The Assumption of the Virgin with Doctors of the Church (1689) for Santa Maria del Popolo, . His numerous depictions of the Virgin earned him the nickname Carluccio delle Madonne (Little Carlo of the Madonnas). The style of Maratta is a classicized Baroque, more restrained and composed than the styles of Cortona and Carracci, thus more allied to the traditions of Sacchi, Albani, and Reni. He was one of the artists favored by Giovanni Bellori. Maratta was known for his insightful portraiture. In 1650, Maratta was introduced to pope Alexander VII, who commissioned many paintings including one of his greatest works, a painting of Constantine destroying the idols for the Baptistry of the Lateran. This work brought Maratta increased fame in the Vatican, and in 1704 Maratta was knighted by pope Clement XI. Other works include an altarpiece in the San Francesco Saverio Chapel of the Church of the Gesu, in the right transept. In 1679 or 1680, a daughter, Faustina Maratti Zappi was born to Maratta by a mistress, . Related Artists to Maratta, Carlo : | George Fennel Robson | Lucien Levy-Dhurmer | Anthonis Van Dashorst Called antonio Moro | MASTER of the Catholic Kings | FERRARI, Defendente |

 

 

 
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